Sunday, November 22, 2020

Pessimism Root

 

Pessimism Root

 

            I sit in disbelief. I hammer healing in a sense where it’s hard to believe myself. I’ve been tugged by a force, haunted by a gaze, where a face presses through wires. I’ve been hiding or scavenging or passive about my locating. Listening or loosening or concerned about what two people bring to a picnic. I might mingle with malaise, this heavy type of healing, while asserting true dysfunction evolves into an unsteady, but internally cogent type of order. It’s a claim, indeed. One where internality is of more value, impression, or appeal than outer sprinklers.

            A mind will grin as it peruses passions where memories are like math. So much in his present some fracture in his past—where schematics are like stigmata. A man from his begging as a creature to its survival, where we don’t wish to berate a person, as core facts sit in decent people. We know to be gentle. We understand things that might prove risqué. And we agree children are precious.

            I try to regather many facts. I try to see a person instead of that person’s affliction. This is a harder equation. In order to understand a person, we must include what we know about that person, and this requires a certain title, a label, something guaranteeing identity. So, a person might have several titles or labels: philosopher, psychologist, psychiatrist, or professor. We’ve other titles or labels: addict, bipolar, ex-convict, dealer, or schizophrenic—and so forth. Each title or label serves as a mental picture where a compass, gauges our behaviors. We don’t intend to label, but this becomes a part of our social functionality. Lastly, most prize their title. While dysfunction is an energy many persons are hiding and disguising.

            We’ve created something in our society—the assertion, where people are granted an opportunity to redeem an old character, where one suffered from socio-economic alienation. We see it played out in a family dynamic, where, as we say, a certain member was haunted by demons. This person may go to rehab, rebuild, and be given a chance to restructure old beliefs. It’s unfortunate, but we classify cultures, or accept people based upon their social class, where Avenue of The Stars means reception, while anything denoting Projects is denounced and denigrated, or tolerated through uneasiness. We seem to know what we wish to associate with, and the why of the matter.

            There’s a root as it forms where fear frightens acceptance. More importantly, one attached to aches and pains, be it mentally, socially, or both, will form habits others deem as antisocial, abnormal, or disheartening. We include here, most artists are solo creatures. I don’t know if this is a form of being antisocial, but we might agree it requires some attention, especially, if it redeems a given character. But most are carrying a shark, a shiv, an emotional piece of damaged glass—those shards or skillets where reality is heavy. Something might be in our bones, some chilling cave, some deep misery we draw from, or our right to assert ourselves.

            I’ve not found it in this piece. I’ve not asked it of many. The reality of welts, or wailings, or wriggles in an atmosphere where perfection becomes our countenance. How do we address a certain reality threshing our minds and social conditions? How, if necessary, do we congratulate differences—if not, how do we justify alienation? Most importantly, must we include a person where our sociality seems to cause strong contradiction with theirs?   

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