Tuesday, February 15, 2022

Most of Life Speaks to Puppetry

 

traipsing through mind-fields and landing on you:

the pantomime is speechless, saying so much;

eating more tears, not physically, a bag of terrors;

loyalty seems distressed, anger is beautiful, such

rabid angst.

 

we open to live, becoming spontaneous, the perfect

body; like cursed to do it, like thankful to live it.

 

imagine walls pressing against conscience;

imagine living with you, so hurt, so responsive.

 

nausea like a tiger’s faith. a palm full of hopes.

grassy grounds. vain attempts. we let the skies shine—

taking credit, showboating, slashing waterweeds.

 

looking at her mittens, as she pulled the fingers, so

much to believe what one is lead to. writing seems

casual, or easy, she spins it like webs.

 

culinary to existentialism.

 

like doctrine—ways we approach life, giving it back,

taking it to heights, seated in mud, digging into soil.

 

much virtue. from myth to philosophy. to imagine

moving houses, adults holding on, wondering in vain.

men complain about concrete. it wasn’t the battle.

looking at the winds, and a cheetah appears.

 

deliberate susceptibility; independent studies.

 

seeking redemption—hashing under-breath,

murmuring inside; to greet it, to enter it, to hear it.

feeling wavy. so seasick. music inside weeping. the

violin whining, her eyes at peak, chi cobwebs.

 

many will try—if to disrupt—it becomes necessary.

 

get him out in the cabbage fields, remind him of the

cotton pain, roll him a joint of tobacco.  

Sonnet IV

    If I was Pablo in a feeling, I would assert love, I would cry fever—one begonia, three dreams.  If I was Neruda in my emotion, I would e...