Sunday, August 6, 2017

Seconds By Existence

I see a dream
I see a phantom
I’ve died to ghosts: that intelligent prison, as wisdom scars, ajar’d and out-broken—to skate as miserable, but elated to fire, to elope by whims: as crazed ventriloquists, filled by matrimony,
at vacuums to fidget the grime—
that daybreak terror, to confess but a dream, angered by madmen: those welts to brains, as sensing departure, ruined by an aperture—that beige insanity, palms to a settee, our earlobes mystical excitement: where passion cries, this game by aloofness, to find illusion sprouting wings: that bold capture, a womb as a glimpse,
our images screaming—to have by thoughts, those forfeited lusts, amazed with presence—to cave our arcs, as ablaze’d our hearts, that clarinet in fielded ghettoes: as shook and dead, by shaking his mother, a tranquilizer as Jesus:—that broken moon, that inverted cygnet—such as violence as pure disdain—to feel at glory, as too proud for minions, or too gorgeous for facial wounds: where hate is childish, such unsung trauma,
those leaps through airbeams: indeed, as death, this giving of feelings, while failing at maintenance—as mother’s sun, that horrible figure, that chart by trapeze villains: if but to die, singing but untold, by unraveled energies, ever aloft a thought, that face screaming conceptions, to want such deaths, while cleaving by moments, our hearts to entertainers, our dreams as forbidden luxuries—to venture by pathos, a bit livid with logos, this angst too cold to remember—as shifts are gardens, this floating ten graves, by algorithms our tarnished affair—this killing of minds, as awaiting rejuvenation, while sinking lower:
if but a death, that virtue of lives, where beauty wasn’t enough, and spirit became abusive—as love to portals, those years at gates, that tugging at Lazarus—to see our brains, pitted with Adam, affectionate for Eve, as mother that died, this voice a freshman, our screams as seniors—
to pass for passions, by acting maturely, at hells to wander that flame:
where pigeons commiserate
while breaking for cultures
our appearance as detrimental: [(I can’t escape it, that current of feelings, a leapfrog to terrors, where father warns, as carrying a torch, associated with death’s reflection: that morbid glee, as afflicted by cadence, to cut a rope racing to catch it—that pier of ships, as wrapped in vandalism, that misnomer to guts, as sought a face, to win a heart, while effaced for claiming communion: it’s wicked an art, and wicked a drive, while aloof from justice—as met a scream, to transport particles, while afire one early morning: this space as senseless, this mandatory investigation, while so detached angels are mourning:

that inner tepee, or those kettle’d brain-prints, as deep a soul-ache, insomuch, as seaweed, by breath his life, fleeing to return, ignored and scarred: those terrible limbs, our faces to sadness, my days absent to fantasies—as grieved his life, while returned his actions, as conflicted without motion: this earnest blankness, as akin to flatness, where such is much more detrimental: wherefrom, a grimace, or a flawless neckline, or legs as pretzels, insomuch, as man’s visions, to live that life, while wisdom listen’s to presence—that terrible passion, alive by tortures, at voices with spirits, to expose a current, so deep an arc, as men want possession—that animal of affairs, as learnt to share, while at internal rivalries)]. 

Strumming a Harp

By language we speak to audibility and coherence. To compose to feel understood, in spite of language applied. A person spends years misunde...