Tuesday, August 1, 2017

Fillers Afire Our Prisons

(“I Love you”); but it’s so saddening—this death concerning humans, while so animated a lie—our cursed souls, at lust for joys—this morbid address…to return to mirrors, a pill as a friend, our vodkas as lovers—to amaze a dream, while focused but seconds, to reckon such bliss as disappearance—while centered our lives, that invested future, sensing by captures a miracle…as learning by liberation, to devastate normality, such a brilliant smile disguising suspicion—where nights echo, our fumes to gardens, our plums and grapes and loquats; as never they died, over fifty years of matrimony, and never so gorgeous as candid eyes—that torrent of woes, that valley of cries, such Brazilian insanity—as cursed with love, too emphatic that love, while revving such rejuvenation…as to rival arts, while tugged a snag, where lust suffered its rescue; that inner suffering, to sense with time, as given but all to children; this morbid address, as existential majesty, afforded one pragmatic tear: those roots by knowledge, as cultured to believe, at wars those scopes of skepticism—while life is sparrows, or golden jackals, by rites this passage charming wisdom. It’s so saddening, our intimate melancholy, at reasons to grip for dear lights: as consideration, our terrors to lose, while so intimate our dreaded situation—that antic guitar, that steep romanticism, our years perusing through seduction—to meet with errors, as so guilty a soul, while never so warm a lover: as damned to feelings; while cursed by emotions; to find such fleetingness those joys; insomuch, a maze, such fabricated butterflies, catering to ladybugs, nestling with ferrets…that faraway castle, as becoming by years, our human condition…atop a tidal wave, while surfing our intellect, to arrange this hostile balance. Its pure magnificence, this metaphysical, to come to terms—as injecting principles, while immersed in sadness, our mirth a mural by madness; where passion kilns, this method furnace, our hands to careers—if but for science, that balanced soul, while a nightmare is creeping—to shadow children, this life by beauties, our aesthetics as dreams, our friends like life-vests—to have for purpose, as driven to rescue, this person given more than myths: our candid hearts; our livid loyalties; our captured fires—where mothers are ghosts, aflame our conscience, as fathers slam but gavels—to garner perfection, if but those months, this tiny woman a machine…as infusing a legacy, captured by one last dance, too ecstatic for morbid circumstance.  [(Take it by grunion, this flight towards suffering, as acclaimed an inner cinema—to have but life, imprisoned in souls, afforded a thousand luxuries—as never to freedom, this antecedent, as captured in a premise: that gorgeous scholar; those magnificent graves; our caves spewing for choking up sulfur—this moon deigning, our sun cringing, such by music to drift that pleasant meadow…to have for passions, as more towards success, to live according to illusional rules—that part in reality, as filtered through perception, as one dances a eulogy; where death is cadence, as eerie a nightmare, to pull by vests this reason to exist—as positive enforcers, while cursed prior to wombs, to flee for scudding, aflight an inner paradigm…insofar, a dream, this casual routine, by wars tugged to extremes: that liquid stream, to pass beneath concrete, this current by least resistance…to courage as love, accorded by vexation, at flux with deliberateness)].   

Strumming a Harp

By language we speak to audibility and coherence. To compose to feel understood, in spite of language applied. A person spends years misunde...