Thursday, August 10, 2017

Mosaic Tiles/Museum Dialogue

I admire art, such cryptic pains, as an eyelash adjusted sorely: that passion screaming; that palpable yoke; this morbid frustration—as sober a curse, or inebriated a vulture, while reigns announce tyranny: our apparatus; our lively darkness; that frequency so courted a scar; to sculpt peace, such scorned arithmetic, while pitching quarters to a basin—as symbolic shame, this breach in souls, to love through abrasions: this perfect catastrophe, as repeating its nature, but a fool to sense it differently; and here I am, a lover of deserts, such bait and venom—to encourage a star, this leverage of souls, that man concerned regarding upkeep: that terrible badge; her perfect demeanor; this battle by requirements; as, nevertheless, that mutual updraft, or that trenchant down-surge; our bestial wings, by birdlike eyes, such biting friction. {We admire art, while mending divisions, while breath-death appears permanent: our muddy blood; our cactus diamonds; by intense affections we conjure—that cemetery caption; that chain of churches; that wretched feeling}.     I feel detached, after years of trainings, a tare erased by proprieties: that naked deception; that emotional debt; our pleasantries at arrivals; indeed, by chaos, a lie abiding for decades, where life is trampled; but more to beauty, this fabulous creature, as never by fruit-flies; that casual ache, to want by moments, without such permanent texture; that faint decision, while chasing a queen, that scientific dowry; as, nevertheless, to obtain cache, while selfish enough to ruin life: that inner pageantry; that sore design; our drums beating to another’s fancy; where passions clash, as gorgeous for years, our channels skipping—our remotes obscure; indeed, to love, by chance a church, such dust by dusk driving our souls; whereto, are feelings, these eyes within, such by terrors our earthquakes.     [I saw an engine, as purely emphatic, assisting perceptions     as loved another     that mental earth     our bones by mania and driven; to curse his life, while father prevailed, this whim a bit too excited by love; as coursing afar     that inner theologian     that turn of events to efface a problem; as, nevertheless, this grave attraction, where a phoenix dwells—and wars are good, this fatal elation, to climb by scars and perish; where buildings erect, as pictures grow infusions, our conditions as mosaic museums—where love has shattered, its image to waste lands, by pure a feature to contend].     I ask to beauty, this charming defense, as remembered this fool a segment—as flowers blossom, where peaches are sliced, our pants as handkerchiefs—if sought his life, that permanent texture, as one that sustains unions: that embedded courage, that deep incision, those wings pruned by passions—where torrents are dark, in terror of excavation, to remove a decade of complacent debris—that soft piano, those fabled clarinets, our orchestra so gothic to life; as returning beauty, this faraway gleam, to glisten our eyes; as told to live, as afforded this want, where perfection is captured. I’ve dreamt a scar, as arriving at miseries, a mannequin as a friend—to polish our worlds, writing as to reach, to come to terms with something immortal: such absolution; or mere a fable; our birds of paradise; to live forever, as thought in an instance, our eternal dialogues.          

Strumming a Harp

By language we speak to audibility and coherence. To compose to feel understood, in spite of language applied. A person spends years misunde...