Saturday, September 28, 2019

Waxwork


I look estranged, staring into damages, or revoked asking forgiveness; such questions, such miracles, a few dozen wings; as passed a pair, atop a desk, our knees bleeding into rugs; so waxy or furnaced, abed a ceiling, winking at grasshoppers; our loving miseries, our big bodied crystals, at daisies celebrated in the aftermath; ashes scream namelessly, Bentley blunts kneeling, as accursed too soon while winning; this dead crush, this losing feeling, where Love spoke Palestinian; our Eden drama, this semi-comedy, such dissonant participants; but days are new, giving as receiving, where reality advocates equality; our droplet ears, our noses whispering, our agonies asking more determination; but hell is a coffin, a blurry essence, chasing for privileges; mauve caskets, cherry balm herbs and orchids; a swan dedicated, a swan invisible, while intuition sung with grackles; lilac kisses, a bold adorable—my life!—as distressed and living, or in such company, while honestly awareness feels crossed.

I’m missing something. But Love is dahlias. And Jamaican rum is devastating.  

Our portico crumbled, ever so fragile, afloat our flaming azure. An eyeful passion, a crazed calmness, so astute, so rooted, and suited in birth-works; our minds upon tables, our pedigrees up for discussion, where we vet authenticity; took a look lowly, to fret with fire, over sweet pecans, wild grapes, and granny’s gumbo; as forever this love, this mink in turquoise, this kneeling elephant—our pink dictionaries, our sherbet trees, our rumberry nightmares; appealing divinity, laughing life heal me, at date plums with panic; our crisp relation, our solemn observation, where a lawyer might be underprepared; an African dispensary, a Caucasian pineberry, our hopes and screams and portfolios splashed into public auditoriums; so much to live, so cheated to die, while something heinous becomes so appealing; at pipe organs, at church-life—a sacred distrust!

How are you, Love—looking at this second, re-aware that life is motion; harp eyes, fluting tongues, or a saxophone voice; such bass and soprano, such historical significance, while we search our family roots; a young merchant, as documented in medieval times, traveling from space to roads; associated with priests, mourning with bishops, or deserts and deep battles with psychical energies; (I read something spicy, this trenchant thought, where the mind will unlock and something uncanny will happen); the mind becomes an entity, while acting against itself, where something supernatural seems to occur; one trained can bring it out, even a group of scientists, but we see this as something extraordinary; (can you imagine, your brain speaking in your face, while one is a diehard mystic); you see my dilemma, speaking like old friends, and always I’ll love your essence.

…a banjo and trombone, hazel green, or sable brown eyes; a stepfather’s pride and sanctum, a silent harmonica, or a roaring trumpet; we see something occurring, this human element, where mothers and fathers hug and die and live again; such dragon berries, such melodic, loving, so considerate, those voices; our margin headaches, our missed messages, our objective truths; with no business there, this corner over there, while so at home right here; such losing order, such reckless songs, to result, rise and risk; at deep decisions, at a miracle breakthrough, while one confesses he was dependent upon disvalues; our signature projects, this bat in our trunks, so close to asking more time; but Love is sensitive, and Love is explosive, and Love needs a believing friend; no comparison, such ruthless laughter, to see it become air-symbols….   

I’d Save The Reader Years

    The beat becomes sickness. A long crucible—a drilling ecstasy. I was losing focus, feeling forbidden, if to self, if to mirrors. So curs...