Thursday, April 21, 2022

Violin Tongues, Cello Skies

 

the fleece grieves its complexion. so put together, selling trends, too much for most thundering. the internal battle—wanting to feel clean—surprised it requires an entire existence. when it’s game grime, or slime pains, the invisible soul appears: morals and ethics, serenity and relapses, fretting the design—tarrying with concerns, groundless beliefs, so unbridled, devastated by more existence. so silent. so deliberate. it hurts to type. a gnat. a building. so pure and unmixed. over yonder they die. nearby they live. with most carrying anvils and crucibles the first crucifix. so nauseated, hearing wins, we all need to have certain imagery. so tacit, unspoken, like it matters for reasons. would one cherish, beyond description, the night as it becomes the existence; so benighted, so belated, so bejeweled; like running to Greece, if to take a break, some can’t fathom that. so emotional, so out of line, the way we determine the moods: pills or liquor, needing something for chemistry, thought to outwit a phantom. untamed. keeping composure. it seems a contradiction. much in contrasts, grim in similarities, most immortal—the chaste sinning, needing transgression, if to receive mercy—the design is lethal. at an armchair, after years on the markings, identity seeming a construct of history—so when is it mine?    

Choosing Symbols

    To speak of spirit is speculation, albeit, a symbol, filled with meaning and designation. In my hunger for the symbol, in my thirst for ...