Tuesday, June 6, 2017

Phantasmagoria or Candescence: Symphony No. 29 in A (II. Andante)

I seek behaviors, that bawling joy, at truths our scars; that inner voice, as trekking gardens, saluting nakedness; that tray of ashes; those whispers to wines; our rugs speaking jubilance—as caged regardless, notwithstanding, worlds, where some cathedrals are appealing; this jest of souls, while aching theories, afforded our projects: that busy time, seated at podiums, as now a particular grace: our faces to glisten; our poets to writhe; our psychs knitting sanities—as long an influx, this pavement of demons, our sour but pure endeavors; as watching behavior, a bit by leagues, a bit non-aggressively; as seeing bullies, appalled by lightning, to morph at an instance; this yard of hopes, our grounds to churches, our crocheted outcomes: those hazel eyes, as once so charming, that table as witness to folly; those powers by nights, as pushing by envelopes, at once, that terror of loneliness; as streaming souls, alive with behaviors, as never to know persons: those inner battles; that textured brain; those wrenching introjects: by lights a beauty; as delicate a vision; as purposed as preachers; to invest in times, those outer dichotomies, for joys come to pass; that burdensome need, to rejuvenate life, as sages alter sorrows; while more a man, as more to loses, if more a man. So more to lights, by pits a remedy, as never a man: this shorn excursion, that inner navigator, that Porsche an engine thrashed—to love we utter, estranged from love we utter, where love is strata affairs; that falling ocean, those steep stigmata(s), those errors by times; to plague forgiveness, this thing for selves, a tulip by clouds: such kindred souls, at warmth through woes, afflux such rhythmic harmonies—those beige candles; that turquoise ouch; our living-rooms settled perfectly; as pausing a second, to shift for cadence, this brief distraction; as mind to cloves, or fiddling with wines, that deep registrar—to see that life, while to broil a steak, a pot of frozen vegetables: as mother lives, embedded in countenance, by chance to utter a few words our neighbor’s mouth. We perish this way, filled with liquids, fumbling through green lights; our runaway hearts, to adore such richness, at once, this enthusiastic feeling; as living softly, to behave as jewels, while to live such seclusion: this perfect us, as long as perfect lasts, where audible voices race us astray. It lives this light, zipping through stages, performing to dictates. I live it also, a man of dreams, fleeing as to return to a silent mirror; as father’s son, to have lived his fraction, at membrance those screaming pictures; to tell a story, as to share a story, at woes we ever read this story: that wretched kindness, as outlived sorely, where absence forces feelings; insomuch, to life, this astonished feeling, attempting to rewrite casted features: that terrible art; those intuitive walls; this world as impressionistic—where angels watch, while demons nudge, as both participate through nuances. I conjure this art, disheartened a tad bit, going through this cyclonic storm; whereat, is violence, as ever overt, our eyes tiring of confidences—where rites are won, this passage of souls, a touch embarrassed with ourselves; to soon retreat, as to meet again, this person we barely see. So more to love, as feeling love, as opposed to feeling needs: this inner movie, filled with faces, painting a dusky sky; insofar, as visions, performed through stressors, but a glance at crows as more ideas: our mystic souls, adrift our scientific(s), plunged into psychologies—as more resistant, this fool in self, while affronting a studied discipline: our disciple waves; our cultured flames; this symphony seeping into matrimony; indeed, to lights, where love is gray, afforded one last dance; where suns glistens, this mis-of-prints, as striving by candescence: our isolation; our launch into seas; our vast ambivalence—to find such purpose, as ripples to identity, to muse with tact; that niche in woes, as creative science, at tears to feel beyond arenas: such foolish pride; this outer venture; sorting through primal passions; to reckon Aristotle, this space at desires, accustomed to what separates animals—that human instinct, that riveting intellect, our praxis and cultures.    

Strumming a Harp

By language we speak to audibility and coherence. To compose to feel understood, in spite of language applied. A person spends years misunde...