Tuesday, June 6, 2017
“Keep It Together” (Sights: By London Grammar)
I confess to shame, this mesh of senses, asking that she ponders—this
pool of bacteria, this welt to flesh, this sewage of ideas: our broken nights,
seated at operas, falling by arias—that soft travesty, as so relentless, our
orchestra conducting sorrows—while drilling shame, at shameful deeds, naked at
filth and fraught with cocaine; that hectic mirror, those men leaving, that
shower made of mud; as tropes to life, seasoned in treacheries, alive a second
but a day; those beautiful children, bathed in joys, affected by subliminals:
our mothers crying, as felt as blackmail, where sincerity dangles at balconies:
that livid angst; that brewing scream; this trek at perfection; to practice
love, estranged from love, that inner confliction; as waves form, where whales
confess, this theory to ruin souls; to carry pounds, this lave of salvation,
close to three weeks late: our graven sanities; those depleting needs; that
whisper by bongs; to hate this man, that knows our names, while feeling this
gammer by age; as slipping through marsh, at tears to mingle, while hoping for
sparks; this contradiction, while seeking souls, if but to feel this precious
ecstasy—or touched as aliens, at once, so alienated, by that ache, touch, and
response; to want us afar, strangled by emotions, huddled in a lonesome corner—as
tugging quilts, while leaking life, this man a fraction of our strengths: that
inner stream, this freshet voice, that aborted seed; for mother dies, as father
lives, while to ask of a pleasant return; this voice of tears, those years at academies, these things as ruins: that
judge watching; that stenographer typing; that lawyer draining souls: if but to
breathe, as excepting partial responsibility, where words devastated a
self-portrait; but long to love, as long to life, if colors depict happiness; or
was it jealousy, this silent monster, where one feels a bit outdated: as taken
a posse, entrenched in paining beliefs, a heart that functions by slants: if
tuned to arcs, this world we live, to forgo a destitute station—as mother
grieves, while father watches, that one to understand—our nethermost regions,
to see us at wars, so close to perishing; as never I would, while ever I
have, this paradox cleaving to insanities: our partial wings, by aches at
two decades, where something had to exist on both parts; for this is nature, as
trust would dissolve, while angers distort longstanding truths: this forest of
fires, this coppice of dangers, that book filled with names—as if to live,
while cold to touch, a fist full of pills; that cryptic connection, while deep
an enchant, to return to this vest of nesting; as to purloin madness, as to purloin
feelings, while to rob that inner person: those jewels bleeding; this cycle
screaming; our curse by pleasures this excruciating headache—as dying life,
while living hells, at points to garner fleeting bells: it’s never gentle,
unless to practice, by pragmatic terms; that psychological voice, this sudden
epiphany, our tortures augmented by perceptions: as if we cried, our neighbor’s
sins, fleeing through purgatory—those inner trials, our private counsels, as
believing such indelible madness; as affected sorely, that fumbling affliction,
at riches such marsh; where souls sin, while falling apart, that reft of swans;
to agree with treachery, as committed against mirrors, that reflection gripping
sinks: this lively curse, our days to birth, afforded that reach of therapy;
for minds are slipping, this oily station, attempting to sing normality. We regret love, peering at joys, conflicted,
this inner reservoir: a bit unsatisfied; a bit to glory; where someone believes
in us: swatting at dragonflies; admiring hummingbirds; adverse to gadflies:
this chimney smoking; alas, a pure address; those angers brought to fuel; where
something grieves, as ever to die, this feeling of sheer animosity; but what
are secrets, this chosen life, as to have lived it at joys: that radiant pain,
for no one fathoms, this plethora of needs: as dwelling by shadows, content to
afflict, while a foundation is bleeding crevices: those torn trials; that deep
astonishment; as not by practice, but ever a measure, this love of forgiveness;
that wayward life, that grieving fabric, our darkness to crows.
Strumming a Harp
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