Monday, June 26, 2017

I’m reluctant to sing; so driven to sing; by paradox such clutching lightning.

We offend by nature, this casual address, as endearing ourselves. (It’s a terrible tactic, inducing resistance, where said resistance builds a fortress: that tender friction, at once, a smile, as, nevertheless, this fever for vengeance; as aloof-closeness, while used for energies, by capture this flaming as washed; while something watches, at sudden, a name, while filled with indecision; as treaded deaths, while feeling ecstatic, to broach the unspoken: those cryptic sights; that lightheaded spark; our residence by midwaves—to arrive at pillars, this throne of games, this need to feel love—as far a dream, while seated in concrete, by far deathly afraid of abstracts: this village of persons, by terror our minds, by grace exulting our vows; to hold contentions, while floored a mind, peering at similar gestures: they come by cultures, or deep psychiatry, this conglomerate of activities—that mishmash, as concerning humans, our gregarious seeds; where souls perish, as coming to lights, infused by this terrible resistance; to claim our hearts, as wrapped in novelties, by tears to define every gesture—this mixing music, to rekindle eternity, at distance this self as authentic). I see for two, to analyze arcs, I see for three. I see for four, this wooded door, as floored by five; indeed, for six, as falling astray, while too honest to confront their actions.  I was insecure, roaming this island, trying to fathom communion. I was dead a man, alive a spirit, featured in this dissention; while seeing faces, as two would merge, as given me insights into our similarities: this rising castle, those daily pills, this wheel by Ezekiel’s soul. (I loved a human, by error those grounds, while set to suffer that journey; as, nevertheless, this tale of souls, by far that first introduction: that slithering naivety, at once, to ask, “Can one slither unknowingly?” I leave it to minds, as responsible to sing, our years to sewing by arts: that tender friction, as playing our instruments, too wise to fathom our failings; at depreciation, our wings to galaxies, at thunder this ritual of cultures: to call it religion; or cryptic science; at hells to evolve. I loved a matrix, as far as minds can see, at once, a terror to hearts: this reading vessel, as tender to tones, shifting with cadence that heart of pearls; to see his face, or hear her privilege, at wonders to assess her very aura: that energy protruding; that psyche thumping; our aches to see mirrors; as centuries churn, our particles reaching dinosaurs, to confess that rightness to love).     

Strumming a Harp

By language we speak to audibility and coherence. To compose to feel understood, in spite of language applied. A person spends years misunde...