Saturday, May 6, 2017

Watermelon

We gnaw rind, electric with grandma, broiling a steak: (I reappear, a young man, feeling humility); that inner child, streaming purgatory, amazed that fatal wish; as more an outcast, this winning venture—so appealing to loners. We’re living opera, so cold our winters, at pace with idiosyncrasies—that blue magic, that leaping pill, our chills by lines our cultures; to admire arts, so drawn from self, agaze’d that red tide. I’m living London, fretted by France, imbued by furies—as lived that life, impassioned by Alessia—suspicious of love; that gray secret, fevered as vigil, this unbelief—while aloof as shy, afield an orchard, embellished by dreams: that juicy loquat; that sighted cutworm; this vision with limbs caressing sadness: (I disappear, as merely a lad, falling by vanity): those beige eyes; those wrinkled fingers; such as memory-lane—to court a gesture, such coffee intentions, pillaged by that deep chuckle—as living dreams, engulfed by violence, such endearing sophistication. I’m more a human, pictured through kaleidoscopes, that perfect image; as hiding tats, forsaking earrings, a bit resistant to jewelry; that welkin stance, but dearly a mess, adrift a star by kingdoms: that feral child, imbued by ethnicity, undergoing reconstruction—while more to legends, this deconstruction, as imagined through swanic eyes; that captive gaze, ruffled by cages, laughing by tears at something frantic—as seasoned with culture, ablaze’d with passions, seated in southern admiration. I heard Rihanna, that fire to souls, to wander that space: inspirited science; this psych his soul; as bleeding this professor; to crave but life, that insidious mountain, plagued by mental manifestations: that outer voice, effaced by palmerworms—studied as mere specimens; (but light to rules, this detached adventure, where sciences are mutual; as more to brains, verses experience, where unsaid scientists exude familiarities); indeed, a conundrum, as spacing through arts, our melon but a second of comforts; whereat, are scars, those eclectic responses, as one far evolved: that peeking psyche; that riveting feeling; those ripples to ponds that descending dove—as chased his life, chiseled at Tei Shi, around a corner from ourselves—that soaring phoenix, those brilliant faces, that measure but treasured our daughter’s sun; to win this life, accused of tyranny, falling by glance to miseries. I sighted Banks, this skeleton soul, a bit so manic to skulls—as dripping our brains, a scar but a legacy, at shovels to mire our names: if but his life, that creative gist, a mist a lemon through veins; to culture genius, those souls to grieving, at years that phoenix perfection; as etching gods, performed as ghosts, our stages offending Shakespeare; whereto, is venom, that outer camouflage—that pantomime—as skating archeries, while flailing cupid, for love is congested: that music we sung, so young an orgasm, while at chase that capricious queen: if thought his arts, so old to science, so religious a tone; while torn to stars, that vexing stance, at bars that ontic kiss: (I reappear, to listen so closely, our genetics haunted: where mirrors are falling; vestibules are closing; our images remain hidden in hospitals; that fatal cry, as sensing life, at wars to reveal innocence): as laughing that way; that nervous tremble; to gardens with monsters! 

Strumming a Harp

By language we speak to audibility and coherence. To compose to feel understood, in spite of language applied. A person spends years misunde...