Thursday, May 18, 2017

Glass House

I’m pitching boulders, so many planks, an intricate concerto—as music dies, our souls to cauldrons, that beautiful music—abandoned afar, as one deranged, this sudden seat of morals; or more a charlatan, or rather a demigod, or some sort of sagic priest; indeed, by woes, as curious to womb, this tragic event so plural; as moons grieve, our sun(s) to sadness, our daughters infused. I bled a teacher, looking so blindly, afforded a grave error: that reputation, as shattered a dream, a man infected; this mental haunt, at tortures a siren, at pleasures a friend; to remember love, this sacred vest, as churning through drum-kits. I thought by roses, pricked by passions, prodded by ghosts; to witness faces, at bloom in Agnes, at goth with Hannah—that melancholia, as reaching membranes, while sparked an island: that serotonin, afloat his mind, his lips that taste—as moving mountains, some type of breed, accused of dying; as crazed his heart, that leap by junctures, that woman so silent: as vocal pantomimes; or silent chirping; at brains those locks couldn’t be picked: that travesty screaming; that classic bleeding; those violins igniting pandemonium: if sought his life, than to death our souls, as so entwined our rooms are melting: that floorboard fire; that mirror aspark; those falling feelings; as more to dreams, those sculpted features, our mane at mourning(s). (I confess it, by human harmonicas, this human at tortures: if sought our pleasures, rapt in neatness, but so infused; for minds are bodies, engulfed in music, our treasures grieving blissfulness; as seeing angels, this course of times, our classrooms breaking from dungeons; as lived his art, immortalized in scriptures, too many psalms to grieve: that terrible affection; that heinous attraction; this woman but a kindred soul: as old as skies; as young as fledglings; at remorse this feeling by nature; as saw our lives, spackled upon canvases—as for wretchedness such beauty; that dark glow, framed in Lorde, those violent motions—at urns but tears, fleeing from portraits, that palm a spider his wall—as seeing visions, that visceral feeling, while kissed a demon at journeys: that far cry, as amused our cohorts, so infatuated with being normal—that golden spoon, at sordid secrets, as troubled as Bugs Bunny. I can’t but love, at treasures to perish, while at deserts to mourn: that tragic castle, to ollie a fortress, while reaching one soul: those shimmering shields, while gripping delicate crafts, as so infused a dream; where sages sing, while carriages await, where cherubs enter silence: that horrid beginning, as appearing in souls, to sale by control such carnage. I must appear, to this self as grieving, a man to his mirrors as two conversed: if be it a scream, as vocal as midnights, by structure a curse; where mother yields, those soft fingers, as caressing a son’s heartbeats).


There’s psychs and pills and pills and psychs and joys for pains and pains for joys, afforded rain, afforded verses, as long to live a studied person.  I see it moving, that inner crane, accursed a cross, that flickering flame; to spell a second, or harness a scar, this soul so brave at wars with love: that refined sentence; that sphinxly heart-race; while encased insistent feelings.  It could be minds, at shivers to explode, while fetching that perfect composition; as deep for trenches, alive this ache, where too much is merely enough; to evolve as spirits, that locomotive, reaching to escape that sentence; where souls live, as infused by opera, while tribal that art of souls; by far a killing, this person to guillotines, afflux creative pressures; as more to pleasure, that wrenching feeling, at trauma this myriad of cryptics; to witness self, in mere an instance, as fusions to capture that mirror: those bold cries; that infant portrait; our fathers multiplying baptisms. 

Strumming a Harp

By language we speak to audibility and coherence. To compose to feel understood, in spite of language applied. A person spends years misunde...