Thursday, February 8, 2018

Gravel & Legacy


I palm sands, agaze’d for horizons, and chuckling softly: these desert winds, this desert pond, those flapping geese: if but her eyes, as akin to dying, if but her cries: this voice in men, hoping for closure, while, nonetheless, assassinated: this pilgrim chase, this faceless Ghost, our rehab rivers: as pure mud, influenced through feelings, arising as astronauts: this nothing likeness, this nothing video, our nothing wildness.  I’m there, Love, as voiced in trenchant(s), at membrance unto silent violence: that endless film, this shiftless anger, our carriage swinging: that wishful thought, this Chanel jacket, and those mystic aches: as purity eyes, or Gucci greens, while afloat by love longing for pigeons: this man broken, as whole at parts, if but enough to trigger jealousies…that wakeful hour, those instant volts, this exchange by strangers: to love his brains, while to honor his shames, tingling with sheer ecstasy: our Dior moistures, this pouch by Powers, our agonies forming pictures.  I saw Africa, this woman in Prada, this bag of silence.  I saw elegance, this infant swan, our moments so keen: this jacket wailing, our responses taught, as something buried screaming its deaths: that plain exaggeration, those passing grades, this Cėline disaster—to rupture with fevers, accustomed to pantomimes, scratching for sealed in algae.  (I hanker softly, yearning for bawling, while assassinated by theology: this hallowed man, this hollowed soul, by screams forbidden from islands: this mythic angst, this rehab loser, those funerals too bold for closure: that closed casket, those old eyes, this mother gripping grass: if but to hear, this seagull’s cry, our shores witnessed to maniacs: that ravishing hug, that big-eyed psychotic, this channel five extravagance: where fathers listen, while silent with aches, where cursing seems unappealing: our Maybelline tattoos, our studio violence, our brows hung upon high—where father up-graved, fleeing into graphics, this music so sweet its inversion: to grin at white fir, sporting BVLGARI, spinning for laughing seen in London: that tale to Jacobs, that sail to prisons, this penchant in brains).

Afflatus Sins

I dance, Giorgio, or crane insanity, pushing with purpose this melic beam: to die while living, or live while shining, where devilish tugs assassinate kindness: this infant swan, this infant agony, this adult anguish—to cut with life, this blueberry compassion, our cries to relic seas: that steep treasure, this pirate instinct, our maidens through muddy-whites: that rainbow irony, this father to sips, our days as convalescents…that future tile, to sense genius, our plaid’d albinos: or waves swooshing, this cedar-wood, our boats barely afloat: that fine mile, to sense your gaze, while tortured this inner image: those rare garments, those Batman luxuries, those Superman jewels…our reddish vintage, this veiled flower, those velvet dresses: if purchased as gain, to lose as winning, while thrust at soul—simultaneous feelings…those Valentino models, cut for crumbling, or crooked for guzzling—while mother laughs, our psyche eyes, this brain pleading its cousin…to up its sores, at core revelries, abandoned to futures those swanic glens…as but his minds, this inner puma, those chiseling sentences…that vacuumed queen, those vacuumed souls, this Danish Hierarchy…where father pains, as groveling in private, while grandmother felt a sudden swoosh: our parents living, as deceased with times, forever forbidden from claiming peace…that winter’s Bottega, that purse to fire, this Calvin Klein prophecy.                                                                                                                  

Choosing Symbols

    To speak of spirit is speculation, albeit, a symbol, filled with meaning and designation. In my hunger for the symbol, in my thirst for ...