Thursday, October 5, 2017

Hands Bleed

I adore you; like sparrows to a whisper, or squirrels to a picnic—as flowing dauntingly, immersed in sheer success, at brooks at rivers: those small fish, those long whiskers, our bearlike excursions; or fevers bleeding, this music cringing, her heart at miracles—as more recessions, to live a kite’s exploration, to nun this tsunami.  I adore lightning, embedded in tree-barks, at flux sliding through freedoms: that magnificent brain, to love, as said, while pillaging ancestors: that stark Sophia, those steep oceans, to afloat a feeling through, Trethewey: as nevermore, or ever a current, while sleek barriers our doubts: experiential, as pure precedence, our gutters flushed with ambrosia: that tender voice; that reckless tenor; that remarkable soprano—if but to roar, as singing, I love us, falling for rising through Sia: those beige feelings; that jasper ignition; this mahogany flute.  I die to hear us, floored in fantasies, your skin unraveling orchestras: that tragic arc; those velvet parents; our siblings at nurseries: to bend lights, as gripping winds, while at terrors controlling thunder: that infant ache, at tremendous symphonies, while musing upon Mozart—this Rembrandt feeling; this Kierkegaard resilience; our love for waves while blurring time-fires.  I fade at feelings: I drift at membrance: I ponder Scientologists—as torn a miracle, or split through insights, while able to explain by methods of ruining our faiths: this cold-warmth, this warm icicle, this florid interior—as floret by myth, or glacier by essence, while terrorized this inner sanctum.  I adore brains, this cultic slant, as able to induce a hell-storm—where noises frighten, where a fan spins, while psychs produce an inner connection: that outer shiver, as pillows speak, this silent language: our fair Beyoncè; our soul-fitting Arlissa; our legendary Madonna—insofar, a blessing, as cursed our aging, as sophisticated our closures.  I love a swan, as, too, that ethnic miracle, while spinning for flying—as sipping violet teas; if to flourish, sporting a briefcase, musing upon, Wild Thoughts: that vicious and vivacious vixen; that innocent but articulated rapper; our days to floating while scribbling masterpieces—as but a curse, to find such joy, at sheer admiration: this plate in walls; this cagey openness; our contradictions bleeding our realities; where swans swim, as full to throttles, while at cores our Asian queens.  I love for soaring, at flames that second in time, while pondering every name as summoned—to secern between thoughts, while afoul with thoughts, at closure pondering that Black Swan—where mother’s sincere, pushing for whispering, at hurdles feeling a tad distorted—at aunts through prayers, at cousins through gestalt, at friends a tear he claimed: that tragic moon; those travesties as stars; our Muslim brethrens—while Persian to hearts, fleeing through Rumi, at sensei(s) reversed—whereas, it feels good to laugh, it feels good to love, while sirens thrust through travesties: our Jah affairs; our Rasta arts; our Christians forbidden from sins—those musical truths, this Rihanna portrait, our tiles spoken as courage: that inner Paris, that rising Greece, our nights realizing Africa’s tyranny: those soft vocals, as pyramid legacies, flying for gripping our swanic brains; where mother worries, as rapt’d in self, where appearances appeal to surfaces.  I’m bleeding palms, to kiss but visions, so delicate those waves—as cut by wires, our flesh rifted asunder, our metal membranes—to cry mercy, as bars shut harmony, our humility shifting with mood-avalanches.  I adore this swan; I crave this legacy; our hands are bleeding—wherewith, are bandages, as soaking up lakes, while father siphons our miracles: those inner deserts; this calm oasis; that castle abed Isaiah’s soul—at torn apart, or sewn as parts, trekking through our Ethiopia Smith; as Brimhall claws, reaching through senses, to voice religious agonies: that ten year vacuum; that mystic epiphany; those legs rapid for treasures.

Immemorial times those feelings affected by lusts.

    It rarely falls as it should. In forcing syntax, one dies. So precedented; one dream those days, and nerves were fretting. Affected by l...