Sunday, October 29, 2017

Gates & Freedoms

We love as tortured, this stylish game, affected for driven killed within: that gracile tear, those fallen waves, this flux in hearts by craft-lights—to seethe with justice, as found in courts, peering at envies this gracious figure: that woman lawyer, those dim treasures, this clamp to hearts a symbol.  I ache silence, at deep remorse, something alike to being human: this psychical test, as deserts bleed, our wrists chained to morality: that anxious creature, that devious pastor, this welt as slashed his throat: if but for momma, if but for father, those above seeking clemencies: our radical graves, as breaded in dust, to fury over scriptures: that feminist dream, such as beauty ignored, reaching for finding womanly terrors.  I chalice, grieving, listening to oldies, jazzing in private—as far too familiar, abased for fallen, this aesthetic man.  I called a spirit, for mother writhes, stirring in limbo—that frantic lamb, cut for leaping, this gnosis tree: insomuch, a breath, to journey for Christmas, this hex buried in London.  I roam Paris, ventured in gorgeous arts, to visit with life this German test—as threshed in Jerusalem, our histories our dictates, fueled for flaming a furious curse.  I see a heart, as pledging allegiance, but cut for leaking, pleading, Father!  I knew a loser, this vicious machine, to come to life breeding dragons.  I heard a soul, to resonate a sentence, at bars threshed for believing again!  It could to love, if cores are shattered, this man fiddling an acorn: those shivery limbs, spaced as magnetic, to admire for failing his constitution: that devout woman, as still for human, this uncouth agitation; but never a soul, to court a Cyclops, this eyeful imagination: that gusset breaking, this ache as lethal, those eyes as fully analytical—where analyses courts passions, to come to sexual science, while laughing an inner high-five.  I thought to tendencies: I ventured for excitement: I died to live as dying in sagacity: this evil intension, as pure physicality, to thrust for laughing (while running to sierras): that surge of wrongdoing, this man beside himself, that soul too alluring to captivate; but life in droves, as forbidden from islands, to close with perfect indecision: this itching nerve, this florid heart, this woman at devil’s creek; as earnest a vessel, while hidden a wound, to flee as congested, barfing his guts.  I’ll do this part, staring at this psychiatrist, as never a glance—this artful cadence, as strict authority, while a palpitation dictates distance: that singing pearl, as thrust for actions, to pause a taste at Taco Bell; indeed, those triglycerides, this man at edges, but a fury to a mulatto soul; that freedom key, as free to die, while love seemed an ache in minds: this sky-fly danger, that titillating, Agnes, this nun pruning for loving Keri—if but a scream, as distant from life, repeating, Marvin Gaye.  I love a swan, as tears to freedom, where mother loathes his soul; for thoughts were concrete, while actions were abstract, this coming to self to shame our mirrors—that steep reflection, as a troubled soul, to court with violence something to feel: as purely desensitized, while a fleece of emotions, this terrible, walking contradiction: that mawkish sentiment, those years at studies, this woman he had to pursue—as rabid an address, as sentenced to romanticism, while denoting a clinical breakage; as, notwithstanding, this belly of passions, this Chevy man, at torments to realize something was missed: that trip to France, that sketch of nudity, that axe at private heartaches: if but to shores, kicking sandy mud, fiddling with sea-turtles—that flying seagull, those kernels of grapes, this vignette recited perfectly—as pure romance, this idyllic soul, fleeing for flying into downcast’d epiphanies: those discerning eyes, as finding life, a child as symbolic fortresses.  I never could, to see those eyes, asking, Why you have destroyed our family: that terrific seed, that precocious seed, that mimic at a scarf tugging her throat; indeed, it’s quite graphic, where daughters love structure, as sons love father.  I end with Tina, this man turning back, but angry at self decoded as terror. 

Immemorial times those feelings affected by lusts.

    It rarely falls as it should. In forcing syntax, one dies. So precedented; one dream those days, and nerves were fretting. Affected by l...