Sunday, July 23, 2017

Cryptic Furnace or Fabrication or Both?

I envision poetry—this life of majesties, those flat and cyan feelings—as rapt’d in ecstasy, unable to discern, such augury and pain; that momentous yearning, to crave burgundy eyes, as able to feel such justice. I laugh a measure, by falling tears, to silence acidic rain; that casual goodbye, as reaching intonation, those branches by personality; to want but moments, afraid of longevity, our hearts pulsating indifferences. We panic to love, an umbrella of revelries, while at tensions upon a shrubbery: such magnetism; such sustained anguish; such beauty slaughtered by existence—as still by smiles, or temperaments found cheerful, as terrorized by joys. I fathom so little, this walking lexicon, to secern by accident a fervent texture: by haunted houses, that vocal vestibule, such as sailing stolen by mirrors: that facial distortion, while peering to beauty, by angst those waves shifting currents—as burgundy eyes, to hell with caution, to awaken and ask a name; where perfume lingers, and negligees are sultry, while souls pout by indifferences. Its sensual pain, as losing our senses, to regain a second studied for years: that antsy shiver; that gypsum energy; our minds undergoing mutinies—where beauty is craved, as graves are drawn-out, while combining elements spells for discomfort. I remain distant, but overwhelmed with compassion, at bars to chase affective feelings—as cagey nuances, analyzing baseborn status, by terrors to depend upon perceptions: that awkward glance, those shifts and churns, where time dispels such perceptions—insofar, as humans, struggling by islands, or a bit too elastic to freeze a rose: our welkin petals, our firths of passions, our reluctance to study our raging currents. This religious soul, as living with skepticism, by moments undergoing inventory: that chapter by signature; our dreams as tempered; our deaths by life that one person—where mercy abounds, while sensing distrust, as souls become a smidgen too assertive: that ecstatic grin; that rare cuisine; those clumps of grass—as wanting children, this expression of love, our features by this human structure—to ask for caution, as love shall devastate, by errors we must avoid.       


I’m fond about aesthetics, that gray annoyance, a bit edgy about life—at deep objections, or haunted rivers, to have experienced those measurements of deaths; to hear by eyes, or see by ears, our mouths remaining silent; to admire intellect, while sensing uneasiness, alert to our inherited dispositions: that lucrative mind, so rich by spirit, a season for fabrications—while chasing rubies, or that pictured glance, sculpted through binocular brains; to shift a turn, as easing into spirit, performing as one sagacious: that inner drum, to flute with time, while kneeling near a credenza—if but to feel, this fiery station, while thumps reach beyond temperaments: that cautious gaze, as aflame with passions, a bit too deadly for fainted hearts: such by faults, to love for ages, alarmed our morals seem to clash—or more to perfection, our cherished dislikes, while building upon a mutual dream. I’ve loved a second, as founded an artifact, peering into mystery: that achy shift, our necks to mercies—that lance poking our ribs—where days scream, as nights yell, by far awakened far too often—scratching his chest, as filled with flame, assuming a list of spiritual names: that fabrication, as akin to ghosts, where one laughs at such naiveties—if but to cruelness, as never those souls, as we re-analyze our established views: that cryptic furnace; that beautiful silence; our years to playing pretend.       

Strumming a Harp

By language we speak to audibility and coherence. To compose to feel understood, in spite of language applied. A person spends years misunde...