Thursday, July 27, 2017

Ambrosia Poison

I think sightedly, streaming through lights, at senses but lost—this minutia bleeding, our daughters to memories, our mothers steady at ecstasy—to cry at forgiveness, to hurt so steeply, as characters suffer rifts. I dance a mystic, as convicted purely, a trombone to brains—or inner clarinets, afforded one chance to fix life—while moving by dreams, affected and screaming, a turn towards existence—to fabricate joys, as becoming reality, at churns to escape: that pilgrim soul, our aesthetic nightmare, to live our vestibules; whereas, by earth, this cursed breath, at terrors to erase mania—those stern memories, as possessing particles, our fragments affecting existence—to perceive as feelings, this guide-post, allergic to reality: that chiming fool, as deep by love, according to tragedy—our broken wholeness, addicted a Paraclete, racing through omegas—while tortured your sights, infused your brains, as length excavated your aches—to purchase by voice, this manifestation, while grieving our loses; thus, to smell perfume, to imagine your aura, as crawling through pages—to flip a verse, or write a Villanelle, or perish a Sestina—where mother watches, to offer a caveat, while dying a slither such romance. I need rehab or something by measurements, to replace that elevation—as claiming love, to give by problems, this essence fraught with issues—to relive life, those casual eyes, to effuse a cryptic soul. I grasp for words, filtered by passions, to imagine those greener pastures—where souls capture, that outer motion, pitted in jasper dreams—as torn a scarecrow, at shooing crows, while safeguarding corn; therewith, your name, as engraved by silence, to awaken by summons that presence; to live as sickly, affording crayon pleasures, where men torture those breakthroughs; insofar, our tears, buried in years, this entity between us; thence, this musicality, as reaching at seconds, to admire our mirrors: that kleptic smile; that hectic nuance; that image a torrent our souls. We could to fry, or could to fly, while moments distill inhibitions—that attic ache, as cried our terrors, to come to crevices bleeding momentum; therewith, those eyes, or that slender gait, fraught by a particular substance—as screaming at rehab, while guzzling a diamond, appearing to self that image of rain—where father repents, as lived a sinner, a tare as spoken through purgatory; that casual agony, as if to exclaim, this feeling of differences; that is, this looking, as if persons heal, this killing destroying his reflections—by dramatic displays, this inner theater, our stages carved in crimson—that deep abyss, our dungeons as prose, our daughters tugging our hiplines—if but to cherish, this cultic breath, while looking to exchange realities—this fleeting ship, that sail of screams, our mirrors becoming salient: if but to love, those abstract ontic(s), our seraphim(s) amazed by humans—to wail by cadence, as jasmine tulips, our garden articulating our shimmers—that inner wealth, by kef a pattern, to feel for seconds as normal—this infinite high, as becoming immune, to shift through turns sipping a Miller. We know for tears, to have such distance, this ‘thing’ becoming intrusive; or lights to heaven, to enjoy this reality while leering into portals: that famous woman, as becoming immortal, or dying by resurrection—insomuch, our arts, to scribble a number, assigned a designated excursion—to cringe our actions, while bleeding our ecstasy, addicted to feeling as complete. I’d admire brains, as exchanged a liver—to hearts an addendum:—those inner huaraches, that Armani suit, that Versace tie—as dormant dreams, peering at Vera Wang, assessing your sophistication—as torn a scream, stitching Prada, or Coco Channel, assessing your dignity—as giving so little, while giving so much, to have become this segment of justice—that awkward feeling, for time has measured, this need for welkin hells: our Da Vince codes; our Rembrandt inflation; our Pollock attraction—as pure euphoria, or enlightened agonies, as adoring pure poison.  

Strumming a Harp

By language we speak to audibility and coherence. To compose to feel understood, in spite of language applied. A person spends years misunde...