Saturday, July 2, 2016

Swanships

Hey Love. It couldn’t be real, the mizzling of rain—the midst of fevers—to expound a nation, as crooked dearly, a man of prisons. I walk in silence, this voice of prose, a different part of self; as a pictureless dream, codified in rhythms, sitting with glossy eyes. Oh my love—the days are grievous—the nights are villains; to approach death, as dearly vicious—this pensive war-call. I saw us breathing, despite suffocation, despite this travesty. It must be life, a portrait on a wainscot—this panel of hopes; to cross lights, to make haste for orange, to anticipate a future. I know of love, to have lived this grave, fevered in fatigue; as born through justice, to reel injustice, to sparkle in hatred; so more to life, this deep purgatory, to pet an apparition.  Oh for God, to love this soul, a swan as moving bricks; to picture this face, this invaluable structure—asearch for symmetry: the arts and nights, that museum of dreams, this woman he couldn’t believe; as tears become sulfur, this laudable hatred, as dying to elude a contour: this fever of days, this barefaced travesty—if only to speak the mystic; for death is life, as the life of death, this tender misery! I return to us, as seeking a future, to evolve through moments—where pain ruptured, that infant smile, as nearly premeditated; and hell to reverie, but a second in time, to usher such disappointment. It couldn’t be us, as suspicious of laughter, as yearning for vogue. Oh the metaphysics, a series of black queens, as one running the Whitehouse; for torn and dying, as crying though livers, as pouring into a jug. I can’t forget—the tense of prose, as living this reality—and ever to morph—this vision of hells, as clashing with humanities; and dear for God, this woman of screams, a mallet to an armoire, as blood and brine, and sex and fever, to realize the scopes of breath.

I love this heartbeat, the kef of skipping, to allude to our tears; but it couldn’t be law, this fraction of a friend, as looking towards self; to grind in nights, the life of mansions, as stationed in kingdoms; and chi is life, along with Spirit, to feel for missions: the long roles, the dying goods, the rising suns; and art is love, as filled with credulity, the essence of a young swan; to find for hurt—those days of yore, as one sitting jaded. It mustn’t be law, and it mustn’t be failure, to remember a somber moment; as crooked to straighten, and straightened to slant—a series of bat-flies. Oh for love, to see this name, as immortalized clearly. The earth is young, the hearts are worn, and terror prowls the deep terrains; as feeling prophetic, a glass as tears, to sip and ponder the swans; as ageless beauty, grinding in tempers, to clash with forgiveness.

I’m rising, Love—this fury of flames, as grinding towards immortality.     

Strumming a Harp

By language we speak to audibility and coherence. To compose to feel understood, in spite of language applied. A person spends years misunde...