Friday, July 22, 2016

A Voice So Near


I turn hell into a journey, as opposed to affliction, this light flickering at dawn; as to post bail, this camouflaged tint, this skeleton with wounds; to see for gods, this goddess-dream—too dear to dissolve passions; this crashing island, in need of contact, before dementia sets in: a psych in a suit, a professor in a gown, a doctor in a vest; to profess this love, this bladder of liquor, this night as final. We pass for tests, invested in hells, as too far to retreat; but filled with joy, this deep contradiction, this fevered oxymoron; to shadow a serpent, as something so evil—this terror as humility; wherefore, was angst, this painted grief, to evolve through heartbeats; where life is game, this crooked viewpoint, accustomed to this lie. I loved her that way, to re-filter facts, this swan as a monument; for hell is a journey, as to re-pleat breath, stationed at her crossroads; to fair-away this passion, as crux to soul—this inner venom; where mothers claw, to break for graves, as to slap a son; where life is jewels, this patient fool—pursued by ghosts; as living torn, a fist full of dreads, this anxious review. We churn through hells, that feeling as gone, but rarely that close; to carry like gods, this goddess as a dream, where we couldn’t measure—that height, that scream, that flickering dungeon; to die this love, as fully mature, enough to replenish an inner calm; as far this pain, too close to reach, as panicked in a chest; for cedar yearns, as crossed that tear, as flooding this lagoon. I’ve lived to feel, as one abandoned, stressing through daycares; as told to sit, a fist full of pills, as to finally regroup; where years are many, to live such static, as revving through a winepress; to simply recharge, for life was slipping, as captured in a cell; to read each line, this inner discussion, a bit anti-social; as a decadent fool, to refuse love, as measured by a higher element; to dream with passion, as crashing love—a voice so near!           

Strumming a Harp

By language we speak to audibility and coherence. To compose to feel understood, in spite of language applied. A person spends years misunde...