Tuesday, November 30, 2021

An Ostrich Spoke Essence

 

many hertz, aside ghosts, mostly a feeling, mostly energy. how have they mangled us? why are we restless? it can’t be crops, winnowing emotions, saddled atop a horse-less head. I’d be remiss, in breath, sweet nectar, made sour instability—to un-analyze so peculiar, as demonized, and aching. life will never be. it will never sing in totality. it is always hiding. I’ve located a missile. it mustn’t be so gray. what sourness would exist? it was unreasonable, thinking of our existential, conditioned into meanness. days were activity. pain was syrup—treasured plums, temperamental apricots. to speak vaguely, so opaquely, damaged by existence. I wonder about years, stuck in duality, redeemed, forgotten, filled with aftermath; slight PTSD, inadequate feelings, formed as a creature of excellence. the battle of our galaxy—trying to get right—without realizing, it was destined—yearning for some park, filled with rides, laced in glory. I spark a cigarette. morning is in winds. I ask for wilderness, or thirst, or hunger—in spirit, in numen, in Zen. some space in specifics—thwart by my angst, aside my temper, art is terrific! what has come in us, flying in us, where love means something in us? air and gusts, gauged to expire, more nights debating ambivalence. so much need to forgive, much more for vengeance, most excellent as seduction. those days in power, to redeem a station, filled with lawyer talk. to have become an alarm, if but to die a queen, esteemed as the greatest in gowns; arranged in myths, surefire a machine, art is musicology; signs and souls, souls and symbols, reaching for invisibility.

the ostrich would speak—trying to hold its energies, vibrating, shaking, in each syllable. intuition is counter to itself, oil and water cause a mess, heartstrings are thrummed in hours pleading. so much wreckage, so many pure thoughts, such longing as lemurs for fruits. if rawness, if ecstasy, some place in its determination; those fields filled with sugarcane, those cotton factories, such energies as escaping slavery—the aches in their reigns, those arts in those hertz, much ruin in such affection. so far to unveil, so close to vengeance, such craft in abashment—never those waves, some arc in behaviors, if growing, if grown, what becomes of new sentiments? many mandolins, many piccolos, dirty terrain, such shame, as two would collide, clash, come to horizon—bold in endeavor, ruthless in alliance, bathed in garlic. such a soulprint, to have offended Penelope, or to have affronted Athena; some sailor, drunk in capture, debating, carrying chains—to eat his vomit, to return to slop, as one feigning his elegance; untrue in darkness, untrue in escaping, genetic remnants, cultures engaged, similar histories, a richness in excellence. those tiny miracles, an aesthetic frame, such force in needing silence—the apple of its tree, so much a notion, so fair as unfair—so simultaneous, such heartsore, a violin upon a dreary night, to awaken filled with apologies. soaring sunlight, boiling fires, passion in its cuffs; to live in penchants, an inrush of essence, chiming with some intention—as a confused man, rowing upstream, swooshing through determination. some are qualified, as for par excellence, others stumble into something unfamiliar; to know with open eyes, a vestibule of arts, so close, in one second, to have died as relished opposites.         

Eons of Footage

    To capture visuals in words. To write a tome. The mysterious wire between parallels. Care training.  Life as irony. Any given craft will...