Saturday, January 6, 2018

Bella Sera

Let us whisper, our glamorous shame, this discoursed trauma: those Jewish eyes, those pagan beliefs, and this silken rose.  I tried escapes, this Japanese-Europe, this germane anguish—this Black man; this mulatto skin; this mystic wish.  I love nightmares, this jade to Existence, this female dragon: esp. Saint Laurent, this addict model, our screams muffled in opiates.  I laugh to panic, that late visitor, our wails popping Moet: as tendentious egos, or vagrant racists, at theologians pleading forgiveness: our poet, Dior, our Ferrari races, this hazel-eyed melancholy: if thought to caves, as absent our swan, this mother bleeding her son: as Gucci eyes, or palace sorrows, our admiration, born tragic.
I see allusions, sprawled before dynasties, our mental stanzas—as crooked grass, or pelvis blues, while death appears as bleeding.

Greetings!

I’m wealth to composure, as barely a thought, sentenced to life as a minor: those seven years, while appalled at breath, but too ecstatic concerning ant-trails: this vocal swan, this livid mother, that inner foible: to cut passed islands, this silent vandal, this knitting by chaos: to love as ruined, pleading sanity, while awake enough to witness disjunction: our musky hearts, our rusty souls, this polish as buffing resistance: those lakes by Love, our operant divisions, this begging for captured at failures: our deep parade, this using as breath, our pianos vague and boisterous.
 
I never met her, this floating dream, a pack of dolphins screaming: where sages flee, as traveling New Hampshire, attending Colombian nightingales: this sculptress watching, this monitor painting, our years to hellic rampages. I love as lost, this swanic friend, this brook feeling conflicted: as ocean alibis, or insidious demon cries, that one grain that leaped: where vistas invert, as spells linger, this mystic a thought by grays.  I adore, Love, this picture recanting, this essence too at ease with dying: our palladium advice; our dying wishes; our bias contorted in blush pains: if more wine, than truer deaths, this wild wind: our inmost giants, this centaur moving, this alias as more confusion: our prints to computers, our screams to dungeons, our wishes as subterranean: this force, as intricate tentacles, or that pleat to christic likeness: this dying castle, this living fire, our rapture as kinetic spirits.

I tear violence, as an un-violent agony, sprinting for home-base: this electric whistle, this current to stars, our loquacious night-tents: where siblings laugh, this vest by souls, attempting this in-depth courtship: where mothers groan, such adolescent yokes, as cries this inner belief: this Viktor perfume, such haiku embarrassments, our aglets undressing—as sorrowful souls, our peanut-butter walls, our jams upon plantains:—this refusing grace, as true to warfare, while I relish this art by long-for-distance.  It yells at gravity, this tug as repellent, and thus, this loose fitting agenda: as one cries, for thought a soul, where evidence relies upon, I feel it deeply: this man writhing, this soul diving, our insidious culture-biases: as participant soldiers, even festive cowgirls, those crevices polished with silence. 


We adore swans, this innocent richness, this atypical personality: where bears are gentle, while snakes up-chuck venom, as, nonetheless, our swans are forced to meditate.   

Choosing Symbols

    To speak of spirit is speculation, albeit, a symbol, filled with meaning and designation. In my hunger for the symbol, in my thirst for ...