Saturday, April 29, 2017
Kayaking Storms: Settled in Silence
I spoke by arcs, at winds to life, our wings snipped by thunder. I spoke
of dreams, this inferior stance, peering at giants: that remote tension; that
infinite anger; that hell by freezers our mercies. I disappeared, electric at
music, arranged that interior activity: that soft agenda; as speckled our
minds; a bit to hopes by failures; to vet such power, that cryptic rush, as
afforded one last tyranny—to souls that perish, our poets practicum, our swans
ingesting human nature—as cold a current, flickering a petal, seeping into
casual tyranny—to ask his soul, of vicious that art, to have scolded our queen:
by Churchill’s art; or such as verbiage that cries; where anger by truths
becomes perfidious. I’ll chime decades, infused by dreams, seeing for swans
that captive war; as torn by aches, at terrors to fly, held hostage by
blackmail: that furious chorus; that hatred for men; that life as lived by
spinsters. If courage breathes, those wings shall soar that test to exceed our
limitations; as spoken easily, our travels to Princeton, or knitted in Westwood—while
fevered a legacy, controlled by withdrawals, as riches enslave souls. (I shift
a turn, abused by desires, at wars to create a perfect breakthrough; as
intruding softly, by rites our king, straying as wild roots: if but her life,
painted at crucial turns, we witness by firebirds). It triggered agony, that muddy song, to flip
by art our differences—as bold to lights, to see us presently, while swans
absorb human behavior: that lesson taught; to do as one pleases; while to
request obedience. It churns this way, peering at childhood, musing upon a
portrait of Moses: that invisible image, imbued by sable eyes, our ability to
depict a Hebrew; as thought to Jesus, an Israelite with blue eyes, as ignored
he probably grew dreads; but more to circumstance, our topaz screams, our
precious agonies—if be it that light, this closet of secrets, that need for
silence; as never to mention, a soul’s disgrace, as confronted for naturalism:
that steep split; that genetic blackdamp; that essence beyond human
construction; while to sing by arts, that muddy grin, as some smile in
approval; wherewith, are scars, buried in pride, where one is centered upon
pleasures; but more to swans, as gifted to live, influenced by myriads of
souls; that turn in time, to see perfections, as to unzip inclinations: that
chase by seas; that want for more; that ache for justice. (I shift a churn,
painting with soot, diluting with tears—that unsung tyranny, as dealing with suchness, confronted with a mirror’s tragedy:
those hissing hives; that internal trickster; that smaze by deserts: that up
for down; that golden calve; that bias tabernacle; as living life, to want by
nature, this thing entitled to souls; as fraught to witness, that type of
person, while pictured as villain); whereto, are storms, debated with softness,
while desperate to see it: our kind souls, to acknowledge wrongs, while seated
at therapy. It comes that time, (a group of worlds), as pitted against a poet:
those gloomy questions; that daily report; that inner terror; for life is
beige, or even gray, while this need for pictured perfection; but days are
morbid; flesh is screaming; even this art wails for classifications; whereto, a
swan screams, chiseled by wisdom, remaining silent; for this is life, that
unspoken agony, measured by trust—where secrets are important, while growth is
stagnant, for I can’t utter but a few
words.
Strumming a Harp
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