Wednesday, October 12, 2016

Too Many Deaths, my Love

We explode through passions, grieving the metaphysic, as something so real, but aloof dearly, pushing and pulling, that inner engine, whereto, as remaining hidden; to catch a glimpse, embedded in darkness, as so rich our sorrows. We wail the epistemic, inverted as pragmatists, while laughing at envied dreams; this casual air, as bullied by doubts, even a yogi at wars to say, God. Our truths are subjective, aside for bio-spirits, this trail into a suspicious arena; as to conjure such ghosts, or to affect such motion, drenched in radiant confidence. Its mental agoras, dreaming of freedoms, as ingested as energies; to have such futures, this pride of swans, confused by the grayest mirrors; this question to sing, of something so real, as to wonder of this thing called sights; to enter ceilings, to invert the roofs, as to stand atop the skies; this feeling of fools, as envied for confidence—this silence of bleating sheep; while wounded grace, treasures forgiveness—this war to unscar the mountains. It becomes fever, that portend air—this fashion of antagonists; to song our wings, that inner ballerina, but swans to naked winds; where life is empty, the fullness of skies, while a nun out-prays a lamp; to move from tables, indeed, to porches, a firefly and resurrection: this sore event, a mother with child, as to wonder of this glow. It’s more a dream, this need for sandpaper—our praised novitiates: this dark event, as centered in space, while to awaken, falling—those screams and sights, that vacant forever, as a swan awaits a promise. There’s love to give, our political views, living through oligarchies: that fatal position, to hurt through protection, as to bandage this endless wound; but this is pain, whereat, are thorns, this brier seeping into thoughts; to repaint mirrors, as to repair life, a rebel and her makeup; so long it lives, this turquoise image, as failing, Picasso: that tare and star, those faces running, that holy arm inverted; to see through pictures, the ruin of ideals, seated in such symmetries; but let us dance, as children of love, as weakened by something genuine.

Strumming a Harp

By language we speak to audibility and coherence. To compose to feel understood, in spite of language applied. A person spends years misunde...