Thursday, June 9, 2016

I found joy; I found death. I found pain; it became intimate.

It’s so unusual, to miss it in its absence, to wonder of anomalies. It became a friend, as familiar as spirits, to experience joy as a breach; for joy peters out, where pain takes a break, but ever present. We know one to meet the other; where to miss joy is to feel pain, and to know pain, is to yearn for joy. It’s a mythic cycle, a mystic memoir, a talking credenza; to love one and mourn the other, or praise one and embrace the other. We come to terms, either in error or glory—failing our daydreams. We exhaust joy, and measure pain, delving into creativity, either way.

We loved her as adolescents. We grieve her as adults. It becomes evident, albeit, subtle, we mourn joy! She becomes pantomime, posing through traumas, to often miss the mark. She’s, too, a manikin, a bit overly compulsive, this infection fleeing through us. We search the compulsion, a feeling of disappointment, where she rises suddenly; even through pain, where eyes water, these tender mirrors;—but oh this mystery, as divested of joy, where she peeks and runs—to augment pain, this awkward relationship.

Pain was a luxury. This type of discipleship…as pain is recurrent! We speak of was, for this lifetime cinema, where joys are intermitted. Why is this life? It can’t be decoded. It can’t be deciphered. We wander in passions, awaiting this segment, to feel her fading; but what is this life, aside for flux, as one cleaving to providers? Such ushers joy, our inner vacuums, to render disappointment; therewith, is chasing, pleading for joy, where one is depleted. This wave infuriates, running as to catch up, as catching up to run—from this furious friend, an inner contraption, this acrobatic evasiveness.   

Strumming a Harp

By language we speak to audibility and coherence. To compose to feel understood, in spite of language applied. A person spends years misunde...