Saturday, March 19, 2016

Swan Priest

Read the draperies, Love—excavate the credenzas—penetrate the shoji screens; for this is wisdom, to trek the cedar-chests, to unthread the futons; else harp the night pains, upon a tuffet, screaming at a couch. We welcome the love seats; that far removed, from the cautious self. The tales are mixed—to die the joys, even upon a porch swing, to capture a firefly; but oh the woes, to forget the good, while claiming innocence. It’s often a farce, but why speaks of truths, where so many believe. It’s a radical gesture, where many perish, for the audience has grown suspicious; but live it more: a piano’s friend, an antique china, as wise as the unseen; where pearls dance, to chance the moon, to scrape a tiny crevice; to fly this life, a woman as priest, a quiver of secrets; to aid a soul, at that midnight hour, a woman as the guru.

Read the draperies, Love—examine the coffee tables—realize the measure of games; for this is wisdom, for one to know, to will participation. There’s a gem to it: to see it play out, to watch it get angry—merely for we see. This is radical, where many are even—for masters of fair-play; in which is magic, a treasured friend, to seem unborn. We speak the ideal, where it must exist, at least in appearance; but more the actual, to live resistance, despite the difficulty; in which are dreams, to touch the tea cart, a palm filled with jewelry—to cause for healing, to suture wounds, to live the richest breath; for there are pendants, modeled as humans, to spark the divine.               

Immemorial times those feelings affected by lusts.

    It rarely falls as it should. In forcing syntax, one dies. So precedented; one dream those days, and nerves were fretting. Affected by l...