Sunday, August 14, 2016

Limbo


What have we for more—this desperation, as hollow as gutted lambs; this mental firework, to ignore the screams—this psych of the rivers; where souls were lost, trekking that cavelike thought—this panting drumbeat. Oh for desert clouds, this feeling for lonely, as to offset the sorrow; whereto, this guileful charm, as utilized on self. Oh the utility, at odds with Kierkegaard, at arms with Nietzsche; to dread the sanity, this harmful disposition, to step into the in class. Let us run, filtered through flames, groping the ropes of dementia; to have that tear, as crazed as Stephen King, as loved as Olivia—the nights are calling, screaming like demons, pushing for aphasia—where every line is destiny, that claim for mercy—this changing man; to have us in segments, as wanting more, this more we couldn’t handle. The days are riddled, this need to retreat—from this chambered mirror—this cry, as for thunder’s mother, as for Zeus’ trauma; these heartless ways, the darkness of this joy, to see her as a colorful sphinx; while we never knew, the extent of this grave, a slave of something to come: this inner magnet; this passionate sex; this net of losing—as to win through strife, this comet upon a tear, this lavish threshold…while alone, at a crowded beach, counting dragons…as ever distorted, this searching sky, a diamond at his liver. We thought the music, this black pantomime, this white impression; as greedy as ghosts, as fervent as phantoms, as broken as guitars—to hum a ballad, as to ballet a leaf, this spot proof blood vine. We saw it lately, that rising cry, to feel it early—that sacred volt; as born to live, while anger soars, this thing they haunt for, this site of control; but what have we for—this desperation, as hollow as gutted lambs!      

Strumming a Harp

By language we speak to audibility and coherence. To compose to feel understood, in spite of language applied. A person spends years misunde...